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The haunting metaphor of tauwu as monster and history gives this book both a theoretical backbone and a contemplative richness that goes beyond the genre of literary criticism. In this monumental work on the mutual implication of Chinese modernity and the representation of violence, Wang is at once historical, critical, and mythopoetic. An absolute must read."-Howard Goldblatt, co-editor of The Columbia Anthology of Modern Chinese Literature The range and quality of investigation into literary and historical representations of pain are stunning the material is as fresh as the scholarly ends to which it contributes.

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"This is a revolutionary book, a series of connected essays that lay bare 20th-century China's history of violence. No other study in the field in any language is remotely comparable to the richness and density of materials and insights packed into the book."-Leo Ou-fan Lee, Professor of Chinese Literature, Harvard University This is indeed the dark, ghostly side of the 'Chinese Modern.' Wang's prodigious command of primary Chinese texts from the entire literary legacy of twentieth century China is nothing short of stunning. The eight studies that comprise the book unfold a vast canvas of twentieth-century China, one that is filled with terror, violence, phantasmagoria, and death. Reviews “This book contributes to the literature of violence particularly and criminology in general via a unique approach-a historiographical and literary examination of the variety of violence in China in the 20th century.” - Criminal Justice Review"This is a magnificent book-one of the most original and stunning in the field of modern Chinese literature. Data Formats Combine Shapefiles, Vector Tiles and Cloud-Optimized GeoTIFFs with traditional data formats like CSV and GeoJSON. Explore with Unfolded Studio An intuitive user experience that makes complex geospatial data science easy. His discussion ranges from the politics of decapitation to the poetics of suicide, and from the typology of hunger and starvation to the technology of crime and punishment. Make your own stories and share impactful data narratives with the world. Wang considers modern Chinese history as a complex of geopolitical, ethnic, gendered, and personal articulations of bygone and ongoing events. Taking into account the campaigns of violence and brutality that have rocked generations of Chinese-often in the name of enlightenment, rationality, and utopian plenitude-this book places its arguments along two related axes: history and representation, modernity and monstrosity. Moving effortlessly across the entire twentieth-century literary landscape, David Der-wei Wang delineates the many meanings of Chinese violence and its literary manifestations.

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Since the seventeenth century, fictive accounts of history have accommodated themselves to the monstrous nature of Taowu. Over the centuries Taowu underwent many incarnations until it became identifiable with history itself. Another officer sustained shrapnel wounds.Ī third Border Patrol officer was the one who finally shot Ramos, allowing officers to realize the true horror left behind: the bodies of 19 children and two fourth-grade teachers.In ancient China a monster called Taowu was known for both its vicious nature and its power to see the past and the future.

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Ramos fired at them, hitting one officer who sustained minor injuries. Officers were eventually able to get into the room using a master key from the principal, WSJ reported. The gunman was also firing at them through the door and walls. While officials could not give a detailed timeline, Texas DPS director Steven McCraw said at a Wednesday briefing that Ramos was inside the school for about an hour before a tactical unit officer breached the classroom and killed him.Īmong the tactical officers who responded were members of the Border Patrol’s elite Bortac team but they couldn’t get into the room because of a steel door and cinder block construction, The Wall Street Journal reported, citing officials familiar with the investigation. ‘Kids Be Scared’: Texas Shooter Grew Angry After Dropping Out of School












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